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“The Heist at Hatton Garden” - a four-part limited series debuting July 9 on BritBox - follows the men as they shimmy down an elevator shaft, drill through a concrete wall then squeeze into the hole to plunder the vault. The bumbling of these aging, bickering thieves (who have an array of medical conditions) earned them nicknames like Bad Grandpas and Diamond Wheezers. in London’s jewelry district - considered the greatest heist in Britain’s history, with loot totaling at least 14 million pounds - were every bit as amusing. But the men behind the 2015 burglary of Hatton Garden Safe Deposit Ltd.
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TV: Cunning and Comedy in ‘The Heist at Hatton Garden’ “I’m just a little behind you, close enough to take your hand,” he said. Ihlen, who inspired hits like “So Long, Marianne,” died in July 2016, but not before Cohen had written her one last letter. Then Judy Collins brought him onstage in New York in 1967 and opened up a world of temptation, prompting Ihlen to tell Collins that she had ruined her life.
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Ihlen supported Cohen as he wrote his novel “Beautiful Losers.” But unable to make a living, he turned to music - though he initially refused to sing. In “Marianne & Leonard: Words of Love,” opening on July 5, the filmmaker Nick Broomfield - who, as a 20-year-old visiting the island, grew intoxicated by Ihlen and her romance with Cohen - chronicles the couple’s relationship during the height of unfettered bohemia. “I was his Greek muse, who sat at his feet,” she recalled of their sun-drenched days, filled with writing and lovemaking. Refugees from traditional society, they found each other. In 1960 Leonard Cohen traveled from Montreal to the Greek island of Hydra, where he met Marianne Ihlen, a Norwegian with a young son. OLIVIA HORNįilm: A Tortured Muse in ‘Marianne & Leonard: Words of Love’ The results of their footloose, largely self-produced sessions are on a series of three EPs, titled “How to Solve Our Human Problems.” Expect to hear selections from that trilogy, as well as old favorites like “My Wandering Days Are Over,” during their Wednesday appearance at Brooklyn Steel. After releasing their ninth album a couple years back, they retreated to Glasgow and relaxed their recording strategy in an effort to liberate themselves from perceived expectations. The Glaswegians responsible for some of the most tender and quietly intelligent records of the 1990s, including “Tigermilk” and “If You’re Feeling Sinister,” have become one of the genre’s most dynamic groups, with a crew of songwriters and vocalists expanding the project that once was the exclusive province of their frontman. WILLIAM ROBINīelle & Sebastian are no longer bent on trying to impress people - or so Stuart Murdoch, the primary singer and songwriter of the seminal indie rock band, told Vulture last year. Ancillary events will explore the aesthetics of birdsong. With its fistfuls of incandescent chords, strange earworms, and enigmatic rhythms, the “Catalogue” summons an ornithology like none other, which Aimard will tackle at the Caramoor music festival in Katonah, N.Y., over three performances this weekend. As Aimard went on to become a reigning interpreter of the 20th-century avant-garde, he has remained a champion of Messiaen’s music, with exactingly definitive renditions including a 2018 recording of Messiaen’s grand, two-and-a-half-hour “Catalogue d’Oiseaux,” inspired by the composer’s lifelong immersion in birdsong. Aimard soon became Messiaen’s protégé too, following the couple on tours and absorbing the otherworldly music of the mystical modernist composer. Classical Music: A Monumental Exploration of Birdsongīack in the early 1970s, the young Pierre-Laurent Aimard studied with the great French pianist Yvonne Loriod, who was also the wife of Olivier Messiaen.